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When it comes to rules and regulations, there’s a fine line between restricting art and enabling it. When do rules start to get in the way of art? When does the rulebook protect artistic freedom? And when does it become censorship? What role is played by the political setting in each case? And what does this fine line mean today for contemporary and future work at the Humboldt Forum?
Taking the Humboldt Forum Highlight Guten Tag by Wolfang Mattheuer as their starting point, three artists, two curators, the departmental head of a government office and a member of a competition jury will discuss three different approaches to Kunst am Bau (“Percent for Art”), commissioned art in East Germany, and art commissions in the future Humboldt Forum.
The first discussion will be about the rules, freedoms and limitations of the Kunst am Bau competition at the Humboldt Forum. Talking about this issue will be Beate Hückelheim-Kaune, the departmental head responsible for Kunst am Bau at the Federal Office for Building and Regional Planning (BBR), Barbara Steiner, who chaired the jury for one of the most recent Humboldt Forum competitions and Kang Sunkoo, whose design for Statue of Limitations won the competition for the main staircase.
Wolfgang Mattheuer’s work Guten Tag [Good Day] is one of several works to reference the Palast der Republik, and will form the main focus of the second discussion. Dieter M. Weidenbach, an artist from East Germany, will talk with Michael Philipp, chief curator at Museum Barberini, about the work’s creation and significance in East Germany, and about the freedom and limits experienced by artists of that era.
The event is rounded off by Paul Spies, director of Stadtmuseum Berlin and chief curator for the state of Berlin in the Humboldt Forum, who will first explain the various ways in which artists can cooperate with and participate in the Berlin Exhibition. He and his curatorial team have commissioned a number of artists, photographers and urban artists to produce works for the exhibition. As an expert on photographic images of urban spaces in Berlin, photographer Arwed Messmer has proven the ideal partner for the exhibition section on Free Space. In conclusion to their discussion, Spies and Messmer will give the audience some insights into how they work together.
Beate Hückelheim-Kaune is a trained architect and head of the department responsible for project management, competitions, publicly funded construction, landscape architecture/interior design and Kunst am Bau at the Federal Office for Building and Regional Planning (BBR) in Berlin. The Kunst am Bau competitions are thus run under her purview.
Kang Sunkoo is an artist and architect in Berlin. His piece Statue of Limitations, which is about remembering the colonial past, won the Kunst am Bau competition for the main staircase of the Humboldt Forum.
Curator and author Dr. Barbara Steiner has been head of Kunsthaus Graz since 2016. She has published works on the museum, on spatial concepts, on the relationship between architecture, design and art, as well as on curation.
Paul Spies set up and ran the art-historical consultancy Büro D’arts until 2009, when he became the director of Amsterdam Museum. He has been director of Stadtmuseum Berlin and chief curator for the state of Berlin in the Humboldt Forum since February 2016.
From the start of the 1990s, urban photographer Arwed Messmer devoted himself to documenting the changes taking place in Berlin. Since 2006 he has been exploring collections of images in public archives which have lost their original documentary function. The result has been a number of exhibitions and publications on the Berlin Wall and Stasi archives. In 2017 he presented his most recent works on left-wing West German terrorism and its origins in Berlin, with a show that remains open in London until June.
Dr. Michael Philipp is head curator at Museum Barberini, where in 2017 he (and Valerie Hortolani) curated the exhibition Hinter der Maske: Künstler in der DDR and the presentation Dürfen Kommunisten träumen? Die Galerie im Palast der Republik.
Dieter M. Weidenbach is a painter and graphic artist from Weimar. He was a master student of Willi Sitte, and lived in East Germany until 1985. His works, including Unterwegs [On the Way] were most recently shown in the exhibition Hinter der Maske, Künstler in der DDR at Museum Barberini.
The first 15 of these Humboldt Forum Highlights will be presented between October 2018 and May 2019 in two formats: in an exhibition as well as during conversations that will be held at various locations in Berlin.